INTRO: C G/C C9 Dm7/C Fm/C C F#o/C F/C G VERSE: C G/C C9 Dm7/C Red flags are vying for my attention Fm/C C Nothing adds up F#o/C F/C G Getting by on old goodwill C G/C C9 Dm7/C Backtracking thoughts from their destination Fm/C C F#o/C F/C G I closed my eyes thinking I could keep up still Am Bb C D How do you know your limits, honey? Dm G Fm/C How do you walk the line? CHORUS: F G My vision was blurry as dawn faded in C G/B Bb A7 Em7(b5) But I saw you on the roof tonight F G I wouldn't just say this to mess with your head C G/C C9 F/C Fm/C C F#o/C F/C G I saw you on the roof tonight VERSE: C G/C C9 Dm7/C You have a gift for compelling defense Fm/C C F#o/C F/C G Even tonight I considered every word C G/C C9 Dm7/C But I can�??t summon the needed credence Fm/C C F#o/C F/C G Once off the hook you dissolve and I concur Fm/C C And so it goes Am Bb7 C D You re - main unattainable Dm7 G E7/G# I�??m high then low but tell me just Am Bb C D How did you know my weakness honey? Dm7 G Fm/C How do you walk the line? CHORUS: F G Turns out I�??m a witness, what�??s your alibi? C G/B Bb A7 Em7(b5) I saw you on the roof tonight F G I wouldn�??t just say it to mess with your head C G/B Bb A7 Em7(b5) I saw you on the roof tonight F G My vision was blurry cause dusk used to run the show Dm7 G7 Dm7 Gsus G7 Fading in, fading in BRIDGE: Gm/C F All the footwork F#o7 Em All the charades Fm F#o7 What�??s it for? Fm Fingers crossed C G/B Bb A7 Once I�??ve lost all trust in you Dm7 G Fm/C Fm/C C7M C7M I can�??t lose you anymore CHORUS: F G And so I�??ve decided to stick to my guns C G/B Bb A7 Em7(b5) I saw you on the roof tonight F G It seems I�??m a witness, what�??s your alibi? C G/B Bb A7 Em7(b5) I saw you on the roof tonight F G My vision was blurry but I can�??t deny C G/B Bb A7 Em7(b5) That I saw you on the roof tonight F G I swear I don�??t say this to mess with your head, ohh -- C7M Fm6 000000 | 000000 | 111111 | 111111 | 101010 | 101010 | 333333 | 333333 | 000000 | 000000 | 111111 | 111111 | *-my interpretation of the fast section 222222 | 222222 | 333333 | 333333 | with the B string doing the note-changes. 333333 | 333333 | xxxxxx | xxxxxx | xxxxxx | xxxxxx | xxxxxx | xxxxxx | Dm7 G7 Dm7 G7 Fading in, Fading in C7M Fm6 000000 | 000000 | 111111 | 111111 | 101010 | 101010 | 313131 | 313131 | 000000 | 000000 | 111111 | 111111 | 222222 | 222222 | 333333 | 333333 | 333333 | 333333 | xxxxxx | xxxxxx | xxxxxx | xxxxxx | xxxxxx | xxxxxx | Dm7 G7b9 Dm7 G7b9 Dm7 G7b9 Fm/G G7 Am Bb C D How do you know your limits, honey? Dm7 G Am Am/G F C/E Ebo7 D7 How do you walk the line? OUTRO: C G/C C9 Dm7/C Fm/C C F#o/C F/C G C ======================================================== Enjoy! Please let me know what you think in the comments! -ClassicalfreaK