VerseDF#
Well now then Mardy Bum
G
I see your frown and it's like
F#mEm
looking down the barrel of a gun
D
And it goes off
F#
And out come all these words
GF#m
Oh there's a very pleasant side to you
EmAA side I much prefer, it's one that
ChorusG(2)A
Laughs and jokes around
DA
Remember cuddles in the kitchen yeah
Bm
To get things off the ground and it was
G(2)A
up up and away
DA
oh but it's right hard to remember that
Bm
on a day like today when your all
G(2)A
argumentative and you've
got the face on
DF#GF#mEmAVerse 2DF#
Well now then Mardy Bum
GF#m
Oh I'm in trouble again
EmAD
aren't I? I thought as much.
F#
Coz you've turned over there
GF#m
Pulling that silent disappointment face
EmA
The one that I can't bear.
Can't we...
Chorus 2G(2)A
Laugh and joke around
DA
Remember cuddles in the kitchen yeah
Bm
To get things off the ground and it was
G(2)A
up up and away
DA
oh but it's right hard to remember that
Bm
on a day like today when your all
G(2)A
argumentative and you've
got the face on.
Verse 3F#5G5
Yeah i'm sorry I was late
F#5G5
I missed the train and the traffic was a state
F#5G5
I can't be arsed to carry on in this debate that reoccurs
F#5G5
Oh when you say I don't care of course i do
A5
Yeah i clearly do.
[Solo]
DF#GF#mEmA x2
Chorus 3G(2)A
Laugh and joke around
DA
Remember cuddles in the kitchen yeah
Bm
To get things off the ground and it was
G(2)A
up up and away
DA
oh but still it's right hard to remember that
Bm
on a day like today when your all (Break - wait a bar)
G(2)A
argumentative and you've
D
got the face on.
This arrangement for the song is the author's own work and represents their interpretation of the song. You may only use this for private study, scholarship, or research.